With your beard newly full
and the banks of your eyes
failing, I turned, unceremoniously, and left.

An altar of stone, countless arches
receding to the kind of tiny ache
that grows to insurmountable heights.

This, put plainly, is loss.
It’s every friend I ever left,
the time I narrowly escaped arrest

protesting some illegal war or another
only to watch it unfold in night vision
on the cable news networks of the day.

Grandiose gestures are the bricks
we hurl at inefficacy, only to wind up
pushed down, wriggling out of flexicuffs.

Please wait for me at home, as I await
processing. I swear I’ll make it up to you,
I swear this time I’ll stay and fight.



Por un Futuro Mejor

Archbishop Óscar Romero's birthday was last week. My family marked the date with a trip to a pupusería for dinner, something I know some other friends were doing a couple time zones away. I know that the Catholic church is in the process of beatifying him, which I think is maybe how you become a saint. No longer a believer myself, I'm only glad that I was able to pray at Romero's tomb while in El Salvador in 2002.

Americans would do well to understand that our current refugee crisis with unaccompanied Central American minors has everything to do with the atrocities against which Romero bravely preached and U.S. involvement in those atrocities.

Por un Futuro Mejor

When asked about the war
Miguel lifts his shirt to show
a tangle of scars from
a homemade bomb.

Imagine Miguel in conflict outside
el Museo de la Revolución Salvadoreña,
tracing the lines on his stomach,
which is now so uneasy.

A neighborhood of sadness and struggle,
como la linea.

La Linea where he makes his home,
a sprawling slum from San Martín
to Soyapango and beyond,
a sea of shacks on a decommisioned rail line.

Miguel remembers it wasn’t always this way.
He tells a story of a boy he grew up with
who lost his legs to a speeding train.

“The existence of poverty as a lack
of what is necessary
is an indictment.”

Miguel never heard the Archbishop’s words
broadcast on rebel radio
while fighting on the other side,
but he can’t get them out of his head.

Imagine me in Morazán
outside that same museum.
Me and Miguel and Monterrosa’s ghost
and a myriad of unanswerable questions
about life and death, wealth and without
and history’s immutable thirst for blood.

On Infertility

What follows is an essay I wrote about two years ago. I've tried here and there to find a home for it since, but to no avail. It is extremely personal, and so it bothered me to not have it out in the world. I still hope that it can someday find a home beyond this blog, which I suppose is what I hope for all of my writing, but this one especially. In the meantime, here you go.

On Infertility

I’m in a busy diner during the lunch rush, waiting for a friend to finish paying. I’m struggling to manage the weight of my infant son’s car seat. He’s not terribly heavy, but the seat is tricky to maneuver in tight spaces.  It’s pouring rain outside, and I’m trying to remember where we parked when the restaurant staff start doting over my son.

To be fair, he’s adorable. We share no biology, something I’ll expand upon in a moment, but suffice it to say that I can take no credit for his incredible cuteness. Let’s be honest, there are some funny looking babies out there - luckily, we were able to dodge that bullet.

For most of my marriage, I wasn’t sure I wanted kids. It wasn’t a tough decision to make as we were usually broke.  If we were going to have kids, it would have to be when we were financially secure enough to swing it; if that never happened, we could take all of that extra money we didn’t have in the first place and do a bunch of traveling. Either way, it seemed we’d be able to find a happy outcome.

But then I got the bug. You hear about this happening to people, but it sounds so trite, like an eleven-year-old-girl back from her first baby-sitting gig. And even though I cried during The Notebook, I still somehow thought I wasn’t given to such emotional frivolity. If we were going to have kids, it wasn’t going to be because I was a total sap.

Turns out I was wrong. All it took was seeing dads and kids at Target and Home Depot, and I was gone. I’d see these tiny people, barely up to their dads’ knees, teetering along, slowly, deliberately. And they were holding hands with Daddy.

I was stricken.


My wife and I soon began trying. This was a revelation for me: despite what you may think, trying-to-conceive-a-baby sex is some of the silliest sex there is. In place of passion, spontaneity, and romance, are pressure, obligation, and a foreboding sense of timing.

It becomes rote, and both of you are aware of how strange that is, and maybe feel guilty about it, but still, the show must go on. And then you try to change it up, and next thing you know, you’ve got blankets spread out on the bathroom floor (which really sounds so very disgusting in retrospect, but isn’t sex kind of gross to begin with?), but the sink is running because it’s cold outside and the pipes are frozen (!) and halfway through you’re both getting splashed in the face with sinkwater, and who can take any of that seriously at all? Not the guy who’s complaining about the cramp in his back, I can promise you that.

As it turned out, all of our trying was in vain, and so eventually I went in for a test. In an interesting twist of medical nomenclature, what could have been dressed up in jargon, couched in all kinds of Greek and Latin prefixes, is instead called by the somewhat undignified moniker of “semen analysis,” probably to avoid giving the mistaken impression that there would be any self-respect happening anywhere in the process.

The office was decorated in dark oak and oriental rugs, something like an alpine hunting lodge.  This overt expression of masculinity struck me as incredibly transparent, rooted in the idea that men in my position might need some sort of testosterone-based reinforcement. But just because I could see through their design choices didn’t mean that I was immune to the inherent discomfort of my situation. I’m a teacher, and I had a colleague covering my classes for me (“I have a doctor’s appointment…”); could I face a room full of high schoolers when this was all over?

A nurse led me back to a small room.  She was older, maternal, in the gruff, all-business way of so many older, maternal women. The room’s main feature was a reclining lounge chair covered in coarse medical paper, but she also made sure to let me know about the fertility-friendly lubricant that wouldn’t mess with my count, the dimmer switch “for mood lighting”, the pornography in the cupboard, and where to put my sample when I was done.

I would have given anything to be trying instead.

A few days later I got a call from another nurse.  She said that volume of the sample I produced looked good, the motility (movement of the sperm within the sample) was also good, but there was a problem.

There was a problem, yet her voice was so detached from the gravity of this news and the effect it was having upon me.  She would, I supposed, have more of these calls to make that afternoon, piled up in the days to come for as long as she cared to imagine.  

But there was a problem.

Conservatively speaking, she explained, there are usually at least fifteen million sperm swimming around in one millileter of ejaculate – occasionally even ten times that number.  Mine had sixteen.

“As in, six more than ten?”

It turns out that’s what sixteen means.

People will tell you that “it only takes one,” and, you know, I saw Look Who’s Talking, I know how it works, but on a line graph with 150 million on the top and zero on the bottom, sixteen is effectively zero.  All those “it only takes one” optimists might as well buy me a Powerball ticket while they’re at it – I’d spend my winnings on reproductive surgery.

I hadn’t expected this news. I was devastated. I walked the dog, shuffling through a gray day in my neighborhood, trying to get my head together. I passed by the gas station, busy with customers, and was aware of how disconnected we all are from the problems of others.

I think I knew that there were options available to me, I just hadn’t expected to need them, and wasn’t sure yet how I felt about them. More troubling than anything was the overwhelming knowledge that I had no idea what I was going to do.

The next day I was in a meeting at work and counted seventeen people in the room. One more than sixteen. My stomach was in my throat. Of course, it was a strange analogy to make, English department to sperm count, but that’s where my head was. At least there weren’t fifteen million, I guess.

The doctors encouraged me to go see a specialist. This proved to be problematic; my wife and I had been operating on a somewhat specific timeline, one that was predicated upon academic and professional responsibilities. We now found ourselves working within a rapidly closing window of time, and the specialist scheduled appointments two months out. After months of charting temperatures and mucus quality, and all that overwrought sex, this was a new level of anxiety I hadn’t anticipated.

And don’t think I can’t hear you, clucking away about the folly of trying to plan something like this down to the letter, how no one can control these sorts of things. I get it, I do, but the way our professional and academic lives were structured, it was going to be really awesome to have a baby during months A, B, and C, and infinitely more difficult to do so during months X, Y, and Z.

I realized that I had even fewer options than before, compounding my disappointment. I felt lost. Any move I made seemed to negate other, plausible-seeming moves. Seeing the specialist meant waiting an indeterminate amount of time for a baby. Not seeing a specialist meant not knowing what the problem was, effectively shutting down the family line. These facts, all of them new and unforeseen, required resolute action, a deliberate strength of purpose that I was decidedly lacking.

My wife, an excellent internet researcher, hit the trying-to-conceive message boards and pregnancy blogs, and the occasional real-deal medical website. We read about a couple who had struggled with infertility, ultimately settling on the mantra “baby in the house.” We took it to mean baby in the house by any means necessary, and hadn’t this been my goal from the beginning? This mantra was so simple, so obvious, we adopted it as our own. I felt very near to having the clarity I’d need to make a decision.

At this point, we also stumbled upon a probable cause for my near-sterility. When I was an infant, I had a hernia. I grew up hearing the story about how I was blue from the legs down, like a Smurf in reverse.  Our working theory, although never confirmed, is that when the doctors went in to fix me up, they may have accidentally snipped this, knotted that, and given me the inspiration for my upcoming children’s book, Daddy’s Tangled Apparatus. I was relieved to have something resembling an explanation, especially one that made so much sense.

Working on this assumption, we decided to pursue a sperm donor. More on this in a moment, but first I’d like to acknowledge that we were, in fact, working on an assumption, a theory, which was, in fact, never confirmed.

I think many people find this to be a reckless decision, like I gave up and quit on myself. Who knows, right? Maybe I could have been untangled, reattached, or otherwise had my fecundity restored. And I don’t want to be cavalier about this at all – it was an incredibly difficult decision to be sure. There was a lot of insecurity and second-guessing.

But my goal was to have a baby in the house, not to cultivate a biological legacy. Allowing that goal to really take primacy over everything else was very liberating, once I got there. Given the choice, I would have preferred not to have any infertility issues, but that preference didn’t seem worth putting my goal on hold indefinitely.

Not only that, but we have a lot of gay friends who are starting families.  Same-sex parents have no choice but to begin with a donor of some sort, and I’m not sure how productive it is for the non-biological parent to lament the lack of shared DNA once the baby arrives. Any self-pity others would foist upon me seemed strictly a function of straight privilege.

We began to research donor agencies so that we could begin to research donors. I was, of course, grateful for the chance to become a father at all, but less so when presented with the opportunity to pay thirty-five dollars for a silhouette of a potential donor’s face in profile.

Even so, there were some humorous moments in the selection process. Despite being a run-of-the-mill white guy, I have been told my entire life that I look Asian. The agency’s computers agreed – we submitted pictures of me in order to produce a list of potential donors whose offspring might resemble something I could create. The first guy on the list was 100% Chinese, the second 100% Vietnamese. Of course.

In the end we picked one whose heritage a little more closely aligned with our own, and after lugging liquid nitrogen tanks around from the garage to the trunk of the car to the doctor’s office, success! When my wife walked into the bedroom with a positive pregnancy test in her hand, it was the happiest moment in my life up to that point, and one I’ll never forget.

During the pregnancy we talked some about how I might react when the baby finally came. His in utero name was New Guy, and I was pretty sure I wouldn’t feel any less connected to him than if he were the fruit of my own loins. Still, we both knew that this was one of those big life things for which you just can’t predict a reaction. Not until you’ve lived it.

I’m happy to report that after a long and difficult labor, my son finally arrived, and when he did, I cried tears of joy like never before. He’s seven weeks old now, and while there are difficult times, reflux-induced sleepless nights, diaper blowouts and moments of self-doubt and insecurity, I have no misgivings whatsoever about my decision. Quite the contrary, the levies of my heart are struggling against levels of love and joy I could never have imagined. He is altogether mine, and I am his daddy, and like parents everywhere, biological or otherwise, the task now falls to me to be the best parent that I can possibly be.

When we were selecting a donor, my plan was to use a donor for the first child so that we could get our family started, and then later on get checked out and possibly repaired. Since my son has arrived, however, I am dead set against that course of action, and hope to use the same donor a next time. Part of this is because this baby is exactly one hundred times cuter than anything I might have produced, but also because I can’t bear to think of him wondering someday if I love him less than his sibling because of biology. What’s more, as much as I hate to think about it, I have to acknowledge the possibility that there could be a stronger connection to a child who shared my biology, and that’s not something I’m willing to risk. I love my son too much.

It’s a taboo topic, to be sure, tied up as it is in notions of masculinity, virility, and manhood, and this upsets me. I have never thought for a second that my low sperm count made me less of a man. I don’t bring it up during casual conversation at cocktail parties (“well, you know we had to use a donor because I can barely make sperm”), mostly because I imagine it would make other people uncomfortable, but a little bit I wish I could. I love my son, and I wouldn’t know him otherwise, and that’s why I’m proud that we chose to use a donor. I look forward to having lots of conversations with him about all the different kinds of families in the world.

But maybe the rest of the world isn’t ready. In the meantime, back at the diner, a member of the staff says “Oh, you’re just so handsome like your daddy.”  And of course I know it’s me, but I still can’t help myself.  I pick up the car seat, smile wryly, and whisper, “Who is your daddy, anyway?”

Update August 2014

I'm not exactly sure what size or sort of audience these words will find once they're out in the world, but I haven't updated this blog in about a year, which is roughly 25% of its short life, so an update seems appropriate.

At the end of June my family said a tearful goodbye to the Twin Cities and headed west to Santa Ana, California. I've moved away from Minneapolis once before, in 2002, to Chicago, where I got married, and it was at a time when I was fairly rootless and, as such, portable. This time, though, we'd been living in Minneapolis for a decade, and saying goodbye to family, friends, and even our house was difficult.

I'm currently staying home with our young son and looking for work teaching high school English, a task I've made more difficult for myself via my stubborn insistence on teaching in a public school district (i.e., not private, not charter). That's a topic for another conversation, one in which I'd happily indulge for anyone who is interested, but for now, suffice it to say, it's tricky to feel too connected to a place in which my life hasn't yet really gotten going.

Meanwhile, the world is in chaos. Gaza. Iraq. Unaccompanied minors. Eric Garner. Robin Williams. Michael Brown. Probably a host of other terrible things I'm missing. It can be a dark place, this world, and a casual observer of this blog may wonder if I'm trying to make a cottage industry of poems about murdered teens.

But the world can be beautiful, too. It smells good here, nearly all the time. That's something. Really. There are a million plants that I've never seen before, and some (like jade) that I do recognize as houseplants are growing free and wild and giant here. That's something else. Standing in the ocean is a beautiful thing, and so is seeing dolphins or sea lions. 

I should write some poems about those things.

We should all, each of us, spend time focusing on some of those beautiful things in our own lives, in our own locales. It's therapeutic, and, lately, necessary.

But as we do, I think it's important not to take our eyes off of the ugliness, the injustices in the world. I think we have to hold those things in balance so that we can work to make the world more beautiful, to set things right.

It's maybe naive to think that an ad hoc manifesto on a wordpress poetry blog might have something to do with that, but I'm okay with that. I'm pretty good at balancing my naivete with a heavy helping of cynicism. 



I saw Dunbar's Mask in reverse:
black journalists don't choose the news
anymore than the rest of us.

A straight face can be hard to come by
when talking about black protesters,
majority-white police departments,
and efforts at community relations.

He imagined the press bulletin:
Terribly sorry about how we reacted
to how you reacted
when we shot and killed that kid.

This is not a justification.
I believe in stoicism
where the news is concerned.

But let's give the newsman his due.
He kept it together until he couldn't,
till it started to crust and sugar over.

And there, nearly imperceptible
at the corners of his mouth,
glass breaking in the night.


Sanford Florida Public Works

Sanford Florida Public Works

They’re ripping up the sidewalks,
cardinal calls drowned out
by jackhammers, bobcats.

You can’t weaponize a sidewalk
that isn’t there.
No more crime scene photographs,
no more guns discharged.

This is a peaceful place –
and don’t we all deserve
some peaceful ground
to stand on?

Soft and grassy,
surrounded by gates
a worn path in place of pavers.

A word of caution:

This is our life.
People not from around here
who make us so afraid
that we go towards them
instead of away –

They don’t get a warning shot.
This isn’t Tallahassee,
this is a peaceful place
where we do what needs doing.

Bring on the jackhammers:
We’ll walk on the grass
if we have to.



Animate an arrow on a map.
Imbued with all of the cultural sensitivity
of an Indiana Jones movie.

Launch in lush Laotian jungle,
cross continents and seas,
and split
like the forked tongue
of a serpent,
or a dragon,
upon reaching the Mississippi.

One end lands in Minneapolis,
calls itself Fong Lee,
and falls, one weekend
outside an elementary school
on the beleaguered North Side.

No saint, this Fong Lee,
or maybe he was,
or maybe it doesn't matter,
when chased on a bike
by cops in a squad car.

When rammed, run down,
when running like hell isn't enough.

When shot eight times.

And a gun recovered later
has no prints,
no bullets fired.
Official reports attribute it
to the late Fong Lee.

The arrow's other end
lands in Saint Paul,
on my roster.
This Fong Lee is quiet,
yet alive.

His shirt reads "I AM FONG LEE"

This one gets the joke
because he tells it,
but forgive his lack of laughter:
There's nothing funny
about having to know
that some kid with your moniker
and migratory history
was killed by cops
not fifteen miles away.

Indiana Jones only had snakes
and caricatures of Nazis
to contend with.
This shit is for real.

An animated arrow splits in two,
dead ends,
but cannot retract.
It must remain,
A red stain on a map. 

New poem after long hiatus... first draft... crowdsource workshop!


This poem sets up on the floor
no pretense, no bullshit
preferring a basement, 
eye level.

The secret handshake anyone can learn,
this poem is not interested
in selling
or in being sold.

It is the lyric sheet passed out
at the outset,
because the words fucking matter,
a butterfly pressed in your pocket.

This poem is the moment there by the water heater
that you realized both your privilege and your potential









These are loud stanzas, and, okay,
a little abrasive,
but they know that's not enough.

They are also starry-eyed,
and why not?

Nothing good ever came
out of anything that wasn’t.

Voter ID

This isn't the most lyrical poem I've ever written, that's for sure, but as the debate about Voter ID rages on (it's on the ballot as a constitutional amendment in MN this year), I wanted to get at what I think the real problem is: racism.  Communities of color came out for Barack Obama in record numbers in 2008, and I think that there are some who would cynically move to do whatever they can to prevent a repeat of this in 2012, making those same communities pawns, once again, in a game they didn't consent to playing.  Like a lot of racism, this is of the unexamined variety -- voter ID advocates would never make the connection between redlining and the proposed amendment (after all, it isn't Obama's skin color they don't like, just his politics, and I have to say that I believe their sincerity in this) yet there it is, an attempt to further disenfranchise groups of people based on skin color and a socioeconomic status that is directly linked to policies of the past (e.g. redlining).  This kind of historical amnesia is very dangerous for our country.

Voter ID

We’re standing on maps left behind by our grandfathers,
covered in red lines and promises of financial solvency.
We’re the architects of a grand plan all our own.

We’ll make a man out of straw and call him voter fraud.
Ask him for identification – what’s the harm in that?
If he doesn’t have it, we deny the vote,
light him up as an example to others.

Use the maps to get it going –
we don’t need them anymore.

Behold, arms outstretched in supplication,
a burning beacon in the night,
a cross to light the way.

These are times of values.

Of course, that’s far too scathing a critique.
After all, we were very careful not to identify
those most likely not to have identification.
We never said anything
about poverty,
or transience,
or skin color,
or people groups voting in record numbers,

Electing the country’s first black president,
by a landslide.

That’s not what this is about.
We just want to make sure we know who you are.

What’s the harm in that?

The Texas GOP Weighs in on Higher Order Thinking Skills

This is based on the Texas Republican Party's 2012 Platform, excerpts from which you can read here

The Texas GOP Weighs in on Higher Order Thinking Skills

A magician (or a fancy waiter with a lot of flair)
yanks a tablecloth in one fluid motion.
Audiences gasp, convinced
the silver and china will be casualties
of this man’s caprice.

But that’s not the trick,
and our man is to be commended--
everything remains in place just so,
only a little lower.

I am neither waiter nor magician,
but a teacher; even so,
I take no joy in having to explain
the more obvious metaphors.

So ponder, please, (though of course not critically);
I’ll cut to the candid:
“Challenging the student’s fixed beliefs”
is my life’s calling,
not because I don’t respect them,
but because I think that someone should.

I am a teacher, and this is what I do.
Oppose this work,
and I am a revolutionary, too.

New Guy's Villanelle

I like writing poetry much more when I have a prescribed form to follow, so I've been playing with different forms lately.  This may or may not be the first villanelle I've ever written.  My wife and I are expecting our first child, a son, in May.  This one's for New Guy.


We will give you all that we are able
though so much is left outside of our control.
Soon you’ll take your own seat at the table.

We both know that soon this very day will
fall to memory, etchings on a scroll.
We will give you all that we are able.

Giving hope: for other days to wait till,
not knowing what they’ll overlap or hold.
Soon you’ll take your own seat at the table.

We know not how long your lungs will stay filled
or what you’ll say about us when you’re old;
we will give you all that we are able.

I imagine something brimming, something stable,
something glowing with an ember never cold…
soon you’ll take your own seat at the table

We can’t wait to meet you, let’s just say we’ll
never be the same (or so we’re told).
We will give you all that we are able –
soon you’ll have your own seat at the table

Sickbed Sestina

I believe that this is the first sestina I've ever written, and, I have discovered since, not a true sestina. Oh well. The end result is maybe a bit overly philosophical and plodding, but the process was pretty fun. Common and Very Common Nouns courtesy of Random Word Generator.


What does a half-filled glass of water represent?
What trite and useless lesson might it teach?
And can such aphorisms save a man
or woman’s beating shipwrecked heart enough
to buoy it toward something more complex?
Can mystery and meaning join with plot?

Those who’ve read the ending, know the plot,
and can decode what symbols represent,
(the ones that are straightforward, not too complex)
and these we might well count upon to teach
us something – not quite all but quite enough
about the heart of woman and of man.

And who am I in all of this? A man
who ruminating on it hatched a plot
to etch the glass’s midpoint just enough
that drinkers decide what drops do represent
and maybe then they’ll all decide to teach
lessons arid, waterlogged, complex.

For is life empty? Full? A complex
of organisms making up a man
or woman waiting for the thing to teach
or data points that we forgot to plot?
Hold the film up to the light and represent
it in reverse and see if it’s enough.

Tip the water over, then we’ll teach
the lesson of having had more than enough
of forced compliance with a placid plot
of fearing the blurred edges and complex
paradoxes intrinsic in each man
and woman with all they represent.

This man hopes to muddle through a plot
at once complex and never quite enough
to represent what he could never teach.






Northern Poems

A photograph of a lake with trees.

I've been sitting on this Word document for the better part of a year, maybe even more, called Northern Poems.doc.  The idea, if I remember correctly, was to try to capture in verse something of the idea of Minnesota, whatever that is.  I think, to be honest, that it wasn't even Minnesota, necessarily, but that thing that we in the Twin Cities call "Up North."  It's a funny thing, really; if you look at a map of Minnesota, you'll see that the Minneapolis/Saint Paul metropolitan area is located in the East-Central part of the state, and maybe even hovering just a little bit south of that designation.  That means that places like Hinckley or Lake Mille Lacs become "Up North," despite their considerable distance from what might be called Northern Minnesota.

Geographical innacuracies aside, there is something kind of wonderful about getting out of the city and pushing into that part of the state that is not prairie but woods and lakes.

I remember reading Tony Glover's liner notes on the Jayhawks' 1995 masterpiece Tomorrow the Green Grass something along the lines of "these songs are Minnesota" (if anybody can provide a link to these online I'd be grateful), and it changed the way that I listened to that record, which, for what it's worth, is still one of my favorite albums ever.

I don't expect these poems to gain such wide popularity and/or endurance, and I'm actually fairly insecure about my poetic dexterity, but even so, I offer these Northern Poems.

As a final note, the irony in these poems is that they seem to celebrate a certain warmer something than the seven degree temperature that's here today (which is to say nothing of the windchill, of course...).  I think fellow Minnesotans will agree that we endure winter in order that we might be able to breathe in the more temporal beauty of our state's more temperate months.

* * *

There is a juniper berry
between your thumb and forefinger
And birchbark in your voice.
I will build us a canoe.
Your laugh will be the oars,
Stirring up the depths
As we make our way.

In time this lake will freeze,
The snow upon its surface
Crunching under heavy boots.
At these temperatures,
No one questions the integrity of ice.

We will walk without purpose for a while,
And you will lay in the snow,
Arms and legs working together
To make a snow angel,
And your laugh will echo across the granite.♦


The air is wet and full of pine.
A tawny miracle stirs not twenty feet away.
Eyes meet, a question mark against birch and fir,
Answer: hooves push off for safety.♦

The lake dark and shimmery,
Sky reddening as the sun
Says, “this is all you get,
But not all there is.
Also: this is spectacular.”
We stand silently, a vigil
To its departure, emptying
As it goes.

You say, “well,
Should be getting back,”
And a spell that stretched
From the eastern shore of Elbow Lake
To a distant spot below the earth
Snaps, component parts
Lighting up the night like fireflies.

I say nothing, and we walk slowly
The worn path to the cabin.
“This is everything,” I say,
Hoping to stretch something.
The air is sweet with wildflowers, and
You laugh your laugh,
Which I also have to tell you is everything,
Say, “it is?” and kiss me under the porch light.♦

New Morning Poem

Astringent air blows in with morning,
Wet sand like witch hazel.
My breath lingers just there,
In the space between the workweek and a sunrise,
And in the distance, a loon.
In another second, both will disappear.♦

Marking Time

When the last of the whiskey is gone,
Secrets buried in the yard
Roll over to get comfortable.
You rub your bleary eyes,
View the world through ragged pouches,
And listen to the crickets.
A million little metronomes,
Keeping pace of life up here,
Restless legs more symphony than syndrome.

Sloshing spirits can’t bring him back
Forty-five years on,
But the crickets, tiny and dependable,
On the smell of the tall, wet, grass
Fold time in on itself.

On the long walk back from the ballfield,
He strutted in the road, just next to the shoulder,
Tony Oliva will be Rookie of the Year.”
You, younger, afraid, dependent,
Straddled the seam between pavement and dirt,
Kicking a rock that you found by the park,
Trusted he was right.

Headlights now, and you want to yell “look out,”
To grab his waist, to pull him near you,
But he is gone, and they fall across the kitchen,
A million pieces of glass, future sands,
Upon which tomorrow’s insects scurry.♦


This island pulls radio
From Hibbing,
Some nights as far away
As the Cities,
North to International Falls,
Those clear nights,
You sit with CBC
Radio One
On your grandpa’s old transistor
Pale ale and a map
That came with the cabin.

How easy it seems,
Those clear nights,
To pack up the truck
And drift north,
Slipping undetected
Into a foreign land
The way radio floats
On the wind.

How many gas tanks,
How many portages
To Winnipegosis?
Or in the other direction
To the great Hudson Bay,
To the sea?

Greenland and Iceland
Become mere stones,
Breaking laws of physics,
Skipping across the surface
Of the sea
En route to Edinburgh,
To Ireland.

Grandpa’s transistor,
A six pack of beer
And a map,
And you’ve traveled the world
From a cramped lakeside room
That smells of mildew.♦


Amidst moss and wet leaves,
Little room for worry.
There’s the smell of the earth:
No small comfort.

Soil in the fingernails
Signals a day spent well.
The dock your father built,
Forgotten paperback
Left behind years ago,
Both weathered now.

Maybe it’s holy here,
Wooded sanctuary.
Amidst moss and wet leaves,
Holy moments.♦