On the Realization of Dreams, etc.

On the Realization of Dreams, etc.

A floor littered with empty film canisters,
you and I tangled in acetate spools.
A projector hums, chokes, and bursts into flame
in the back of the locked room.

We’ve held each frame to the light
to bend time. “Put this one on,”
you pleaded. “Maybe it will work.
Maybe we can go back.”

But I wound it wrong,
to a time of slow drives
through suburbs after ultrasounds.
Giant snowflakes and hope, light as air,
falling to the ground.

You covered your eyes and I scrambled
for the next one, and that’s when I felt
the first bit of film, taut against my bicep.

I’m pulling now, frame by frame,
time speeds up, and a family sedan
races down the mountains
from the Coninental Divide to the Pacific.

Still shots now. One sits
under a palm tree,
another by a beige strip mall,
one’s ankles are in the ocean,

wondering now, about the movie
they walked out on.
The reel of
What it Would Have Been Like
burning brightly,
and us, trapped in knots
of empty frames.

 

 

THE SHUFFLER HAS MOVED!

From our Desk of Elegant Solutions: I'm cranking out the music posts with far more regularity than I am the more literary works that this blog was intended to showcase. That's cool, that's kind of how it works sometimes -- the other stuff takes longer. But poems cohabitating with posts about Atmosphere or whatever seemed like kind of a strange set-up, and ultimately, this wasn't meant to be a music blog.

So.

I've migrated the music posts to a new corner of the internet, http://thisistheshuffler.wordpress.com. There you'll find all the old stuff, plus some new stuff, all with a snazzy new design that I think suits its purpose a bit better.

Shufflers 0001-0013 will continue to live here for a week or two, then this blog will turn back into the quiet library of poetry, essays, and short stories.

 

Jilting

Jilting

With your beard newly full
and the banks of your eyes
failing, I turned, unceremoniously, and left.

An altar of stone, countless arches
receding to the kind of tiny ache
that grows to insurmountable heights.

This, put plainly, is loss.
It’s every friend I ever left,
the time I narrowly escaped arrest

protesting some illegal war or another
only to watch it unfold in night vision
on the cable news networks of the day.

Grandiose gestures are the bricks
we hurl at inefficacy, only to wind up
pushed down, wriggling out of flexicuffs.

Please wait for me at home, as I await
processing. I swear I’ll make it up to you,
I swear this time I’ll stay and fight.

 

 

Por un Futuro Mejor

Archbishop Óscar Romero's birthday was last week. My family marked the date with a trip to a pupusería for dinner, something I know some other friends were doing a couple time zones away. I know that the Catholic church is in the process of beatifying him, which I think is maybe how you become a saint. No longer a believer myself, I'm only glad that I was able to pray at Romero's tomb while in El Salvador in 2002.

Americans would do well to understand that our current refugee crisis with unaccompanied Central American minors has everything to do with the atrocities against which Romero bravely preached and U.S. involvement in those atrocities.

Por un Futuro Mejor

When asked about the war
Miguel lifts his shirt to show
a tangle of scars from
a homemade bomb.

Imagine Miguel in conflict outside
el Museo de la Revolución Salvadoreña,
tracing the lines on his stomach,
which is now so uneasy.

A neighborhood of sadness and struggle,
como la linea.

La Linea where he makes his home,
a sprawling slum from San Martín
to Soyapango and beyond,
a sea of shacks on a decommisioned rail line.

Miguel remembers it wasn’t always this way.
He tells a story of a boy he grew up with
who lost his legs to a speeding train.

“The existence of poverty as a lack
of what is necessary
is an indictment.”

Miguel never heard the Archbishop’s words
broadcast on rebel radio
while fighting on the other side,
but he can’t get them out of his head.

Imagine me in Morazán
outside that same museum.
Me and Miguel and Monterrosa’s ghost
and a myriad of unanswerable questions
about life and death, wealth and without
and history’s immutable thirst for blood.

On Infertility

What follows is an essay I wrote about two years ago. I've tried here and there to find a home for it since, but to no avail. It is extremely personal, and so it bothered me to not have it out in the world. I still hope that it can someday find a home beyond this blog, which I suppose is what I hope for all of my writing, but this one especially. In the meantime, here you go.

On Infertility

I’m in a busy diner during the lunch rush, waiting for a friend to finish paying. I’m struggling to manage the weight of my infant son’s car seat. He’s not terribly heavy, but the seat is tricky to maneuver in tight spaces.  It’s pouring rain outside, and I’m trying to remember where we parked when the restaurant staff start doting over my son.

To be fair, he’s adorable. We share no biology, something I’ll expand upon in a moment, but suffice it to say that I can take no credit for his incredible cuteness. Let’s be honest, there are some funny looking babies out there - luckily, we were able to dodge that bullet.

For most of my marriage, I wasn’t sure I wanted kids. It wasn’t a tough decision to make as we were usually broke.  If we were going to have kids, it would have to be when we were financially secure enough to swing it; if that never happened, we could take all of that extra money we didn’t have in the first place and do a bunch of traveling. Either way, it seemed we’d be able to find a happy outcome.

But then I got the bug. You hear about this happening to people, but it sounds so trite, like an eleven-year-old-girl back from her first baby-sitting gig. And even though I cried during The Notebook, I still somehow thought I wasn’t given to such emotional frivolity. If we were going to have kids, it wasn’t going to be because I was a total sap.

Turns out I was wrong. All it took was seeing dads and kids at Target and Home Depot, and I was gone. I’d see these tiny people, barely up to their dads’ knees, teetering along, slowly, deliberately. And they were holding hands with Daddy.

I was stricken.

Completely.

My wife and I soon began trying. This was a revelation for me: despite what you may think, trying-to-conceive-a-baby sex is some of the silliest sex there is. In place of passion, spontaneity, and romance, are pressure, obligation, and a foreboding sense of timing.

It becomes rote, and both of you are aware of how strange that is, and maybe feel guilty about it, but still, the show must go on. And then you try to change it up, and next thing you know, you’ve got blankets spread out on the bathroom floor (which really sounds so very disgusting in retrospect, but isn’t sex kind of gross to begin with?), but the sink is running because it’s cold outside and the pipes are frozen (!) and halfway through you’re both getting splashed in the face with sinkwater, and who can take any of that seriously at all? Not the guy who’s complaining about the cramp in his back, I can promise you that.

As it turned out, all of our trying was in vain, and so eventually I went in for a test. In an interesting twist of medical nomenclature, what could have been dressed up in jargon, couched in all kinds of Greek and Latin prefixes, is instead called by the somewhat undignified moniker of “semen analysis,” probably to avoid giving the mistaken impression that there would be any self-respect happening anywhere in the process.

The office was decorated in dark oak and oriental rugs, something like an alpine hunting lodge.  This overt expression of masculinity struck me as incredibly transparent, rooted in the idea that men in my position might need some sort of testosterone-based reinforcement. But just because I could see through their design choices didn’t mean that I was immune to the inherent discomfort of my situation. I’m a teacher, and I had a colleague covering my classes for me (“I have a doctor’s appointment…”); could I face a room full of high schoolers when this was all over?

A nurse led me back to a small room.  She was older, maternal, in the gruff, all-business way of so many older, maternal women. The room’s main feature was a reclining lounge chair covered in coarse medical paper, but she also made sure to let me know about the fertility-friendly lubricant that wouldn’t mess with my count, the dimmer switch “for mood lighting”, the pornography in the cupboard, and where to put my sample when I was done.

I would have given anything to be trying instead.

A few days later I got a call from another nurse.  She said that volume of the sample I produced looked good, the motility (movement of the sperm within the sample) was also good, but there was a problem.

There was a problem, yet her voice was so detached from the gravity of this news and the effect it was having upon me.  She would, I supposed, have more of these calls to make that afternoon, piled up in the days to come for as long as she cared to imagine.  

But there was a problem.

Conservatively speaking, she explained, there are usually at least fifteen million sperm swimming around in one millileter of ejaculate – occasionally even ten times that number.  Mine had sixteen.

“As in, six more than ten?”

It turns out that’s what sixteen means.

People will tell you that “it only takes one,” and, you know, I saw Look Who’s Talking, I know how it works, but on a line graph with 150 million on the top and zero on the bottom, sixteen is effectively zero.  All those “it only takes one” optimists might as well buy me a Powerball ticket while they’re at it – I’d spend my winnings on reproductive surgery.

I hadn’t expected this news. I was devastated. I walked the dog, shuffling through a gray day in my neighborhood, trying to get my head together. I passed by the gas station, busy with customers, and was aware of how disconnected we all are from the problems of others.

I think I knew that there were options available to me, I just hadn’t expected to need them, and wasn’t sure yet how I felt about them. More troubling than anything was the overwhelming knowledge that I had no idea what I was going to do.

The next day I was in a meeting at work and counted seventeen people in the room. One more than sixteen. My stomach was in my throat. Of course, it was a strange analogy to make, English department to sperm count, but that’s where my head was. At least there weren’t fifteen million, I guess.

The doctors encouraged me to go see a specialist. This proved to be problematic; my wife and I had been operating on a somewhat specific timeline, one that was predicated upon academic and professional responsibilities. We now found ourselves working within a rapidly closing window of time, and the specialist scheduled appointments two months out. After months of charting temperatures and mucus quality, and all that overwrought sex, this was a new level of anxiety I hadn’t anticipated.

And don’t think I can’t hear you, clucking away about the folly of trying to plan something like this down to the letter, how no one can control these sorts of things. I get it, I do, but the way our professional and academic lives were structured, it was going to be really awesome to have a baby during months A, B, and C, and infinitely more difficult to do so during months X, Y, and Z.

I realized that I had even fewer options than before, compounding my disappointment. I felt lost. Any move I made seemed to negate other, plausible-seeming moves. Seeing the specialist meant waiting an indeterminate amount of time for a baby. Not seeing a specialist meant not knowing what the problem was, effectively shutting down the family line. These facts, all of them new and unforeseen, required resolute action, a deliberate strength of purpose that I was decidedly lacking.

My wife, an excellent internet researcher, hit the trying-to-conceive message boards and pregnancy blogs, and the occasional real-deal medical website. We read about a couple who had struggled with infertility, ultimately settling on the mantra “baby in the house.” We took it to mean baby in the house by any means necessary, and hadn’t this been my goal from the beginning? This mantra was so simple, so obvious, we adopted it as our own. I felt very near to having the clarity I’d need to make a decision.

At this point, we also stumbled upon a probable cause for my near-sterility. When I was an infant, I had a hernia. I grew up hearing the story about how I was blue from the legs down, like a Smurf in reverse.  Our working theory, although never confirmed, is that when the doctors went in to fix me up, they may have accidentally snipped this, knotted that, and given me the inspiration for my upcoming children’s book, Daddy’s Tangled Apparatus. I was relieved to have something resembling an explanation, especially one that made so much sense.

Working on this assumption, we decided to pursue a sperm donor. More on this in a moment, but first I’d like to acknowledge that we were, in fact, working on an assumption, a theory, which was, in fact, never confirmed.

I think many people find this to be a reckless decision, like I gave up and quit on myself. Who knows, right? Maybe I could have been untangled, reattached, or otherwise had my fecundity restored. And I don’t want to be cavalier about this at all – it was an incredibly difficult decision to be sure. There was a lot of insecurity and second-guessing.

But my goal was to have a baby in the house, not to cultivate a biological legacy. Allowing that goal to really take primacy over everything else was very liberating, once I got there. Given the choice, I would have preferred not to have any infertility issues, but that preference didn’t seem worth putting my goal on hold indefinitely.

Not only that, but we have a lot of gay friends who are starting families.  Same-sex parents have no choice but to begin with a donor of some sort, and I’m not sure how productive it is for the non-biological parent to lament the lack of shared DNA once the baby arrives. Any self-pity others would foist upon me seemed strictly a function of straight privilege.

We began to research donor agencies so that we could begin to research donors. I was, of course, grateful for the chance to become a father at all, but less so when presented with the opportunity to pay thirty-five dollars for a silhouette of a potential donor’s face in profile.

Even so, there were some humorous moments in the selection process. Despite being a run-of-the-mill white guy, I have been told my entire life that I look Asian. The agency’s computers agreed – we submitted pictures of me in order to produce a list of potential donors whose offspring might resemble something I could create. The first guy on the list was 100% Chinese, the second 100% Vietnamese. Of course.

In the end we picked one whose heritage a little more closely aligned with our own, and after lugging liquid nitrogen tanks around from the garage to the trunk of the car to the doctor’s office, success! When my wife walked into the bedroom with a positive pregnancy test in her hand, it was the happiest moment in my life up to that point, and one I’ll never forget.

During the pregnancy we talked some about how I might react when the baby finally came. His in utero name was New Guy, and I was pretty sure I wouldn’t feel any less connected to him than if he were the fruit of my own loins. Still, we both knew that this was one of those big life things for which you just can’t predict a reaction. Not until you’ve lived it.

I’m happy to report that after a long and difficult labor, my son finally arrived, and when he did, I cried tears of joy like never before. He’s seven weeks old now, and while there are difficult times, reflux-induced sleepless nights, diaper blowouts and moments of self-doubt and insecurity, I have no misgivings whatsoever about my decision. Quite the contrary, the levies of my heart are struggling against levels of love and joy I could never have imagined. He is altogether mine, and I am his daddy, and like parents everywhere, biological or otherwise, the task now falls to me to be the best parent that I can possibly be.

When we were selecting a donor, my plan was to use a donor for the first child so that we could get our family started, and then later on get checked out and possibly repaired. Since my son has arrived, however, I am dead set against that course of action, and hope to use the same donor a next time. Part of this is because this baby is exactly one hundred times cuter than anything I might have produced, but also because I can’t bear to think of him wondering someday if I love him less than his sibling because of biology. What’s more, as much as I hate to think about it, I have to acknowledge the possibility that there could be a stronger connection to a child who shared my biology, and that’s not something I’m willing to risk. I love my son too much.

It’s a taboo topic, to be sure, tied up as it is in notions of masculinity, virility, and manhood, and this upsets me. I have never thought for a second that my low sperm count made me less of a man. I don’t bring it up during casual conversation at cocktail parties (“well, you know we had to use a donor because I can barely make sperm”), mostly because I imagine it would make other people uncomfortable, but a little bit I wish I could. I love my son, and I wouldn’t know him otherwise, and that’s why I’m proud that we chose to use a donor. I look forward to having lots of conversations with him about all the different kinds of families in the world.

But maybe the rest of the world isn’t ready. In the meantime, back at the diner, a member of the staff says “Oh, you’re just so handsome like your daddy.”  And of course I know it’s me, but I still can’t help myself.  I pick up the car seat, smile wryly, and whisper, “Who is your daddy, anyway?”

Update August 2014

I'm not exactly sure what size or sort of audience these words will find once they're out in the world, but I haven't updated this blog in about a year, which is roughly 25% of its short life, so an update seems appropriate.

At the end of June my family said a tearful goodbye to the Twin Cities and headed west to Santa Ana, California. I've moved away from Minneapolis once before, in 2002, to Chicago, where I got married, and it was at a time when I was fairly rootless and, as such, portable. This time, though, we'd been living in Minneapolis for a decade, and saying goodbye to family, friends, and even our house was difficult.

I'm currently staying home with our young son and looking for work teaching high school English, a task I've made more difficult for myself via my stubborn insistence on teaching in a public school district (i.e., not private, not charter). That's a topic for another conversation, one in which I'd happily indulge for anyone who is interested, but for now, suffice it to say, it's tricky to feel too connected to a place in which my life hasn't yet really gotten going.

Meanwhile, the world is in chaos. Gaza. Iraq. Unaccompanied minors. Eric Garner. Robin Williams. Michael Brown. Probably a host of other terrible things I'm missing. It can be a dark place, this world, and a casual observer of this blog may wonder if I'm trying to make a cottage industry of poems about murdered teens.

But the world can be beautiful, too. It smells good here, nearly all the time. That's something. Really. There are a million plants that I've never seen before, and some (like jade) that I do recognize as houseplants are growing free and wild and giant here. That's something else. Standing in the ocean is a beautiful thing, and so is seeing dolphins or sea lions. 

I should write some poems about those things.

We should all, each of us, spend time focusing on some of those beautiful things in our own lives, in our own locales. It's therapeutic, and, lately, necessary.

But as we do, I think it's important not to take our eyes off of the ugliness, the injustices in the world. I think we have to hold those things in balance so that we can work to make the world more beautiful, to set things right.

It's maybe naive to think that an ad hoc manifesto on a wordpress poetry blog might have something to do with that, but I'm okay with that. I'm pretty good at balancing my naivete with a heavy helping of cynicism. 

Ferguson

Ferguson

I saw Dunbar's Mask in reverse:
black journalists don't choose the news
anymore than the rest of us.

A straight face can be hard to come by
when talking about black protesters,
majority-white police departments,
and efforts at community relations.

He imagined the press bulletin:
Terribly sorry about how we reacted
to how you reacted
when we shot and killed that kid.

This is not a justification.
I believe in stoicism
where the news is concerned.

But let's give the newsman his due.
He kept it together until he couldn't,
till it started to crust and sugar over.

And there, nearly imperceptible
at the corners of his mouth,
glass breaking in the night.

 

Digital Story: My Grandfather

Digital Story: My Grandfather

This (live link above) is a digital story I was able to create as a part of the Minnesota Writing Project's Invitational Summer Institute at the University of Minnesota. It's a fellowship, which I only mention because I was put on academic probation in the fall of 1996 at the same institution for being an idiot/poor attender. It feels good to be earning graduate credits now, and it feels even better to have been able to honor Gervase "Gerf" Daniels, a special guy in my life.

Sanford Florida Public Works

Sanford Florida Public Works

They’re ripping up the sidewalks,
cardinal calls drowned out
by jackhammers, bobcats.

You can’t weaponize a sidewalk
that isn’t there.
No more crime scene photographs,
no more guns discharged.

This is a peaceful place –
and don’t we all deserve
some peaceful ground
to stand on?

Soft and grassy,
surrounded by gates
a worn path in place of pavers.

A word of caution:

This is our life.
People not from around here
who make us so afraid
that we go towards them
instead of away –

They don’t get a warning shot.
This isn’t Tallahassee,
this is a peaceful place
where we do what needs doing.

Bring on the jackhammers:
We’ll walk on the grass
if we have to.

I AM FONG LEE

I AM FONG LEE

Animate an arrow on a map.
Imbued with all of the cultural sensitivity
of an Indiana Jones movie.

Launch in lush Laotian jungle,
cross continents and seas,
and split
like the forked tongue
of a serpent,
or a dragon,
upon reaching the Mississippi.

One end lands in Minneapolis,
calls itself Fong Lee,
and falls, one weekend
outside an elementary school
on the beleaguered North Side.

No saint, this Fong Lee,
or maybe he was,
or maybe it doesn't matter,
when chased on a bike
by cops in a squad car.

When rammed, run down,
when running like hell isn't enough.

When shot eight times.

And a gun recovered later
has no prints,
no bullets fired.
Official reports attribute it
to the late Fong Lee.

The arrow's other end
lands in Saint Paul,
on my roster.
This Fong Lee is quiet,
yet alive.

His shirt reads "I AM FONG LEE"

This one gets the joke
because he tells it,
but forgive his lack of laughter:
There's nothing funny
about having to know
that some kid with your moniker
and migratory history
was killed by cops
not fifteen miles away.

Indiana Jones only had snakes
and caricatures of Nazis
to contend with.
This shit is for real.

An animated arrow splits in two,
dead ends,
but cannot retract.
It must remain,
A red stain on a map. 

New poem after long hiatus... first draft... crowdsource workshop!

HCP

This poem sets up on the floor
no pretense, no bullshit
preferring a basement, 
eye level.

The secret handshake anyone can learn,
this poem is not interested
in selling
or in being sold.

It is the lyric sheet passed out
at the outset,
because the words fucking matter,
a butterfly pressed in your pocket.

This poem is the moment there by the water heater
that you realized both your privilege and your potential

Right

Before

The

Mosh

Part

Took

You

In

These are loud stanzas, and, okay,
a little abrasive,
but they know that's not enough.

They are also starry-eyed,
and why not?

Nothing good ever came
out of anything that wasn’t.

Voter ID

This isn't the most lyrical poem I've ever written, that's for sure, but as the debate about Voter ID rages on (it's on the ballot as a constitutional amendment in MN this year), I wanted to get at what I think the real problem is: racism.  Communities of color came out for Barack Obama in record numbers in 2008, and I think that there are some who would cynically move to do whatever they can to prevent a repeat of this in 2012, making those same communities pawns, once again, in a game they didn't consent to playing.  Like a lot of racism, this is of the unexamined variety -- voter ID advocates would never make the connection between redlining and the proposed amendment (after all, it isn't Obama's skin color they don't like, just his politics, and I have to say that I believe their sincerity in this) yet there it is, an attempt to further disenfranchise groups of people based on skin color and a socioeconomic status that is directly linked to policies of the past (e.g. redlining).  This kind of historical amnesia is very dangerous for our country.

Voter ID

We’re standing on maps left behind by our grandfathers,
covered in red lines and promises of financial solvency.
We’re the architects of a grand plan all our own.

We’ll make a man out of straw and call him voter fraud.
Ask him for identification – what’s the harm in that?
If he doesn’t have it, we deny the vote,
light him up as an example to others.

Use the maps to get it going –
we don’t need them anymore.

Behold, arms outstretched in supplication,
a burning beacon in the night,
a cross to light the way.

These are times of values.

Of course, that’s far too scathing a critique.
After all, we were very careful not to identify
those most likely not to have identification.
We never said anything
about poverty,
or transience,
or skin color,
or people groups voting in record numbers,

Electing the country’s first black president,
by a landslide.

That’s not what this is about.
We just want to make sure we know who you are.

What’s the harm in that?

The Texas GOP Weighs in on Higher Order Thinking Skills

This is based on the Texas Republican Party's 2012 Platform, excerpts from which you can read here

The Texas GOP Weighs in on Higher Order Thinking Skills

A magician (or a fancy waiter with a lot of flair)
yanks a tablecloth in one fluid motion.
Audiences gasp, convinced
the silver and china will be casualties
of this man’s caprice.

But that’s not the trick,
and our man is to be commended--
everything remains in place just so,
only a little lower.

I am neither waiter nor magician,
but a teacher; even so,
I take no joy in having to explain
the more obvious metaphors.

So ponder, please, (though of course not critically);
I’ll cut to the candid:
“Challenging the student’s fixed beliefs”
is my life’s calling,
not because I don’t respect them,
but because I think that someone should.

I am a teacher, and this is what I do.
Oppose this work,
and I am a revolutionary, too.

New Guy's Villanelle

I like writing poetry much more when I have a prescribed form to follow, so I've been playing with different forms lately.  This may or may not be the first villanelle I've ever written.  My wife and I are expecting our first child, a son, in May.  This one's for New Guy.

NEW GUY'S VILLANELLE

We will give you all that we are able
though so much is left outside of our control.
Soon you’ll take your own seat at the table.

We both know that soon this very day will
fall to memory, etchings on a scroll.
We will give you all that we are able.

Giving hope: for other days to wait till,
not knowing what they’ll overlap or hold.
Soon you’ll take your own seat at the table.

We know not how long your lungs will stay filled
or what you’ll say about us when you’re old;
we will give you all that we are able.

I imagine something brimming, something stable,
something glowing with an ember never cold…
soon you’ll take your own seat at the table

We can’t wait to meet you, let’s just say we’ll
never be the same (or so we’re told).
We will give you all that we are able –
soon you’ll have your own seat at the table

Sickbed Sestina

I believe that this is the first sestina I've ever written, and, I have discovered since, not a true sestina. Oh well. The end result is maybe a bit overly philosophical and plodding, but the process was pretty fun. Common and Very Common Nouns courtesy of Random Word Generator.

SICKBED SESTINA

What does a half-filled glass of water represent?
What trite and useless lesson might it teach?
And can such aphorisms save a man
or woman’s beating shipwrecked heart enough
to buoy it toward something more complex?
Can mystery and meaning join with plot?

Those who’ve read the ending, know the plot,
and can decode what symbols represent,
(the ones that are straightforward, not too complex)
and these we might well count upon to teach
us something – not quite all but quite enough
about the heart of woman and of man.

And who am I in all of this? A man
who ruminating on it hatched a plot
to etch the glass’s midpoint just enough
that drinkers decide what drops do represent
and maybe then they’ll all decide to teach
lessons arid, waterlogged, complex.

For is life empty? Full? A complex
of organisms making up a man
or woman waiting for the thing to teach
or data points that we forgot to plot?
Hold the film up to the light and represent
it in reverse and see if it’s enough.

Tip the water over, then we’ll teach
the lesson of having had more than enough
of forced compliance with a placid plot
of fearing the blurred edges and complex
paradoxes intrinsic in each man
and woman with all they represent.

This man hopes to muddle through a plot
at once complex and never quite enough
to represent what he could never teach.

 

 

 

 

 

Northern Poems

A photograph of a lake with trees.

I've been sitting on this Word document for the better part of a year, maybe even more, called Northern Poems.doc.  The idea, if I remember correctly, was to try to capture in verse something of the idea of Minnesota, whatever that is.  I think, to be honest, that it wasn't even Minnesota, necessarily, but that thing that we in the Twin Cities call "Up North."  It's a funny thing, really; if you look at a map of Minnesota, you'll see that the Minneapolis/Saint Paul metropolitan area is located in the East-Central part of the state, and maybe even hovering just a little bit south of that designation.  That means that places like Hinckley or Lake Mille Lacs become "Up North," despite their considerable distance from what might be called Northern Minnesota.

Geographical innacuracies aside, there is something kind of wonderful about getting out of the city and pushing into that part of the state that is not prairie but woods and lakes.

I remember reading Tony Glover's liner notes on the Jayhawks' 1995 masterpiece Tomorrow the Green Grass something along the lines of "these songs are Minnesota" (if anybody can provide a link to these online I'd be grateful), and it changed the way that I listened to that record, which, for what it's worth, is still one of my favorite albums ever.

I don't expect these poems to gain such wide popularity and/or endurance, and I'm actually fairly insecure about my poetic dexterity, but even so, I offer these Northern Poems.

As a final note, the irony in these poems is that they seem to celebrate a certain warmer something than the seven degree temperature that's here today (which is to say nothing of the windchill, of course...).  I think fellow Minnesotans will agree that we endure winter in order that we might be able to breathe in the more temporal beauty of our state's more temperate months.

* * *
Promise

There is a juniper berry
between your thumb and forefinger
And birchbark in your voice.
I will build us a canoe.
Your laugh will be the oars,
Stirring up the depths
As we make our way.

In time this lake will freeze,
The snow upon its surface
Crunching under heavy boots.
At these temperatures,
No one questions the integrity of ice.

We will walk without purpose for a while,
And you will lay in the snow,
Arms and legs working together
To make a snow angel,
And your laugh will echo across the granite.♦

Crepuscular

The air is wet and full of pine.
A tawny miracle stirs not twenty feet away.
Eyes meet, a question mark against birch and fir,
Answer: hooves push off for safety.♦
Resorting

The lake dark and shimmery,
Sky reddening as the sun
Says, “this is all you get,
But not all there is.
Also: this is spectacular.”
We stand silently, a vigil
To its departure, emptying
As it goes.

You say, “well,
Should be getting back,”
And a spell that stretched
From the eastern shore of Elbow Lake
To a distant spot below the earth
Snaps, component parts
Lighting up the night like fireflies.

I say nothing, and we walk slowly
The worn path to the cabin.
“This is everything,” I say,
Hoping to stretch something.
The air is sweet with wildflowers, and
You laugh your laugh,
Which I also have to tell you is everything,
Say, “it is?” and kiss me under the porch light.♦

New Morning Poem

Astringent air blows in with morning,
Wet sand like witch hazel.
My breath lingers just there,
In the space between the workweek and a sunrise,
And in the distance, a loon.
In another second, both will disappear.♦

Marking Time

When the last of the whiskey is gone,
Secrets buried in the yard
Roll over to get comfortable.
You rub your bleary eyes,
View the world through ragged pouches,
And listen to the crickets.
A million little metronomes,
Keeping pace of life up here,
Restless legs more symphony than syndrome.

Sloshing spirits can’t bring him back
Forty-five years on,
But the crickets, tiny and dependable,
On the smell of the tall, wet, grass
Fold time in on itself.

On the long walk back from the ballfield,
He strutted in the road, just next to the shoulder,
Tony Oliva will be Rookie of the Year.”
You, younger, afraid, dependent,
Straddled the seam between pavement and dirt,
Kicking a rock that you found by the park,
Trusted he was right.

Headlights now, and you want to yell “look out,”
To grab his waist, to pull him near you,
But he is gone, and they fall across the kitchen,
A million pieces of glass, future sands,
Upon which tomorrow’s insects scurry.♦

Vermilion

This island pulls radio
From Hibbing,
Some nights as far away
As the Cities,
North to International Falls,
Atikoken.
Those clear nights,
You sit with CBC
Radio One
On your grandpa’s old transistor
Pale ale and a map
That came with the cabin.

How easy it seems,
Those clear nights,
To pack up the truck
And drift north,
Slipping undetected
Into a foreign land
The way radio floats
On the wind.

How many gas tanks,
How many portages
To Winnipegosis?
Or in the other direction
To the great Hudson Bay,
To the sea?

Greenland and Iceland
Become mere stones,
Breaking laws of physics,
Skipping across the surface
Of the sea
En route to Edinburgh,
To Ireland.

Grandpa’s transistor,
A six pack of beer
And a map,
And you’ve traveled the world
From a cramped lakeside room
That smells of mildew.♦

Out

Amidst moss and wet leaves,
Little room for worry.
There’s the smell of the earth:
No small comfort.

Soil in the fingernails
Signals a day spent well.
The dock your father built,
Forgotten paperback
Left behind years ago,
Both weathered now.

Maybe it’s holy here,
Wooded sanctuary.
Amidst moss and wet leaves,
Holy moments.♦

Cellstories: 06/03/2010: Iron Horse

The luckiest man on the face of the earth

When I first moved to Chicago with my limited skill set and education, I got a job painting houses.  One of the two bosses, I found out later, had been diagnosed with ALS, or Lou Gehrig's disease.  He received his diagnosis at just about the same time that I was hired, and I remember noticing a curled hand and some slurred speech.

His name was Ben Byer, he was very active in the Chicago theater scene (I saw him play Elvis at the Steppenwolf Theater once), and he fought hard to the end, even making a documentary about his illness called Indestructible. I've known quite a few people who have died, and it always seems to effect me in a different, unpredictable way each time.  I was especially struck by the cruelty of ALS, a disease that destroys the physical body while the mind remains sharp and intact throughout.

This is a story that I am particularly proud of, and, for what it's worth, would like to dedicate it to Ben Byer and to all of those whose lives are touched by ALS.  Thanks to Dan at Cellstories for running it.

IRON HORSE

Stepping out into the parking lot, the sunlight is blinding. The radio said that today’s is the warmest temperature on record for this date in May. I imagine a version of myself – more youthful, less aware – driving home with the windows down, blasting the first Weezer album through shitty factory speakers, singing along at the top of my lungs. Young Self gets home, calls up everyone he knows, and hosts an impromptu early summer barbecue. Real Self is struggling to get the car keys out of the front pocket of his jeans, his hand curled and non-responsive, the keys falling to the dusty pavement below. Real Self kicks the fender, slurs a curseword, and looks around humiliated before retrieving the keys with his good hand. He drives home and calls no one.

Which isn’t to say that I don’t sit home on the couch for hours, cell phone flipped open, almost calling every person I know. I do this. I sit there and sit there, first in the low, warm late afternoon sun, later in the cool purples and blues of twilight, and finally in the sad and lonely light of my phone. I almost call, but don’t know what to say, and each time think that maybe I can fix this, maybe this isn’t forever, maybe they can’t tell. And each time I almost get up to get my laptop, almost check every medical site I can think of, and each time hear the doctor say no known cure at this time, only stopgap measures.

The doctor was so nice, too. It would have been so much easier if he had been an asshole, or if he’d had bad breath. But he was warm, empathetic, and smelled like antibacterial soap, which is comforting, in its way. His eyes were deep pools of sorrow and apology, and I stared into them as he delivered the news, looking as though he were taking from me a boarding pass for a plane he knew would crash.

Back at home, my bladder can hold no more. On the way to the bathroom I wonder how long it will be until I’m no longer able to perform such a simple task. I return, grab the laptop, and find my way to lougehrig.com. There is a picture of The Iron Horse smiling back at me. Dumb motherfucker obviously had no idea what was in store for him when this picture was taken. And then, even though it’s his disease that I’ve contracted, I somehow wind up feeling guilty: I’ve always been a baseball fan, but never knew that Gehrig was Number 4. Feeling now somewhat connected to the man, this seems like vital information. I watch his farewell speech over and over, struck by the hyperbole of terms like “bad break” and “luckiest man on the face of the earth.” I feel sick.

I stare off and eventually focus on the ceiling fan above me. I allow my eyes to follow the blades as they spin, and then to get lost in them, and for a moment I’m tricked into thinking that the motion has reversed, but then everything comes back into focus and it’s a trick I can’t sustain. I do this again and again, losing myself in the illusion, waiting and watching as the laws of physics are suspended and righted, lost and found.

I want a knife or a laser or a time machine, something to extract the reality of the moment somehow, to make it unreal. It definitely feels unreal. I want to lay on the floor and open my mouth, vomiting out all of the sickness until there is no trace left. I want to be eight again, playing baseball with my friends in the vacant lot across the street from my house, the sun casting long shadows across our improvised home plate. I want to go back and live inside that moment forever, fully appreciating it as I do.

I want to run, physically sprinting through the darkened streets of my neighborhood, and begin to pace around, looking for my running shoes, my keys. When I finally find my keys, I decide the running idea is stupid and that I should just drive and drive and drive, maybe north to the Iron Range and Canada and the frozen Arctic Circle, maybe south to Mexico, but somewhere, anywhere else, to a place where none of this is happening.

Something in my brain clicks and I realize that I  might be having a panic attack, veins awash with adrenaline and the sound of my pounding heart fills the chambers of my skull. I know this is unhealthy, remembering the time in college I punched through a dorm wall and had to pay a fine. I stop and breathe, my head between my knees, and finally, weak and ashamed, collapse onto the couch.

On TV there is a movie starring a man who is not George Burns, but should have been. He has been told that he has seven days to live, and must choose how best to spend them. It’s a movie I remember seeing some long ago Saturday afternoon in my dad’s basement as a kid. Not-George-Burns is in the capitals of Europe, the beaches of South America. He is with family, at the fourth birthday of a grandson. He is skydiving. He is not, this man that should be George Burns, concerning himself with the relative merits of taking massive amounts of antioxidants versus acupuncture and/or stem cell transplants as safeguards against the rapid degeneration of his body. Instead, this very forgettable actor is all smiles, checking off items on a list with smug satisfaction. I drink a lot of whiskey while I watch, stepping outside of myself as I do. I wonder how loss of physical control due to intoxication compares with the death of motor neurons that control voluntary movement. I wish my mind would shut the fuck up. I fall asleep before the movie ends.

My friend Brandon calls about an hour later. For a brief moment, I forget everything. Then, without thinking, I lay it all on the table.

“I’m dying, Brandon.”

“Yeah, we all are. Hey, those Twins tickets you got, were those for the sixteenth or seventeenth? I can’t remember and I need to put in for the time off work.”

I let it go. Brandon never really knew how to relate to anyone on much of an emotional level, and as a result, we were never really that close, but I think we both accept the friendship for what it is: we might go to a ballgame, get some drinks, help each other move, but it isn’t the kind of friendship either of us are expected to bring our feelings to. I have other people for that, and don’t lose a lot of sleep wondering whether or not Brandon does.

“The seventeenth. They were for the seventeenth.”

The idea of having tickets for something, standing plans of any kind, is strange. I’m still kind of lost in a whiskey fog, trying to follow Brandon’s story about a car accident, a spinout on 394 during the last snowstorm of the winter, but I still feel somehow as though I’ve already died, this afternoon, at the doctor’s office. The truth is, I’m still very much alive, very capable of going to a baseball game, and probably will, but after I hang up the phone I’m alone again with a treacherous body whose betrayal has already begun en masse. I want to be able to seriously consider suicide, and really do weigh the pros and cons of each method. In the end I can’t decide on one. I’m scared of what I might do in my state.

I get up and pace the apartment, unsure of where I’m going or for what purpose. I’m enraged, but quickly lose steam and make my way to my bed, where I sob and sob in a snotty, messy heap. I let loose, crying from somewhere deep within my chest, a place I haven’t accessed since my parents’ divorce. I was in the second grade. I cry until I can’t, and fall asleep, sideways and uncovered, just like in the old days, imagining again the disease leaving my body.

At some point I make my way under the blankets. Dawn creeps slowly and softly into my room not long after. It comes without fanfare or invitation and just sits, like a stranger watching me sleep. At a certain point it’s too much. I get up.

The sky is blue like a robin’s egg, or a flame, promising another unseasonably warm day. My mind races as I begin to plan, but it doesn’t take long for me to realize this will be my first day living with the knowledge that – in a very real and not very metaphysical way – I am dying.

The first thought something might be wrong I was at work at the group home, bouncing a dodgeball down a long hallway. The hallway smelled like Folgers and copy toner. I remember thinking that it was the hallway for stinky black powders, and began to sniff the air for dirt and gunpowder. Terry, one of my clients, shot the ball back at me with all of his considerable strength – Terry could never play an actual basketball game, but I’ve seen him sink ten three-pointers in a row before, it’s really something – and as I went to block it I found I couldn’t fully open my right hand. I’ve since learned to do this, though it takes time and the help of my left hand. That day, though, the ball struck my hand, jamming my ring finger, ricocheting into Betsy’s head. She was seated nearby in her wheelchair, and she began to wail. Betsy is sort of medically fragile, and so I still feel terrible for having her seated so near our game, and worse still for my inability to catch a stupid dodge ball.

That was the first day I wondered. After fawning over Betsy, apologizing more than was probably necessary (let’s be honest – she’s always wailing about something), I walked outside to schedule a doctor’s appointment.

It was one of these late spring snowstorms. Big, slow flakes that don’t mean any harm, don’t want to bother anyone, just want to bring a little quiet into the world. It was barely cold enough to snow, and I was fairly happy to be away from the noise of the group home. I got the clinic’s recorded message right away. As I waited on the line, I remembered hearing somewhere that Frank Capra had corn flakes painted white to mimic snow in It’s a Wonderful Life. I tried to imagine cornflakes falling out of the sky, and just couldn’t picture it. I remember wishing that I could fall into the illusion of black and white film.

Brandon and I managed to cop some pretty good seats for the Twins game. I had forgotten about this until today, but here we are, lower level, five rows back, right along the first base line. It’s the last season they’ll play in the Metrodome, the only ballpark I’ve ever seen a baseball game in. I remember my dad used to talk about the old Metropolitan Stadium, the Met, where the Mall of America is now. “That was real baseball,” he used to say, “this indoor shit is ridiculous.” I’m trying to explain this to Brandon, about how my dad was kind of a badass. I go into this whole thing about how the original home plate is supposed to be somewhere in the mall, but I’ve never been able to find it.

“Dude, are you drunk already? We just got here – that’s not your first beer?” I realize I’ve been slurring my speech; I have been all day. I’ve also been talking a lot, about anything, because whenever I stop, all I can think about is how bad off I am. And then – and I know this is terrible, I can’t help it – I lay it all out for Brandon, right there during batting practice while Justin Morneau fires rocket after rocket into the cheap seats. I’m yelling, and pretty soon I’m sobbing, and poor Brandon has no clue what to do.  He just sits and stares into an empty beer cup that’s half-filled with spent sunflower seeds.

I get up and walk outside and sit on the steps of the Dome. There are people everywhere, which almost makes it easier to be by myself. Brandon, predictably, stays and watches the game. I sit and watch Twins fans walking back and forth, keeping my body as still as I can, not saying anything to anyone, just trying to feel it. I sit there for hours, feeling my mind working while my body does nothing. Occasionally I can hear the cheering crowd through the Dome’s fiberglass roof. I want to sit there for months, years, however long it takes. I don’t want to get up, to ever walk again, because I know there will come a time where that won’t work, where I will fall, where it will all fall down. It will be me in the group home, in hospice, in the ground. It’s all too much to take.

Across the street I see a homeless man I recognize as a downtown fixture. He’s been hanging around for as long as I can remember, charging passersby a fee to sign his trenchcoat. I assume this is how he supports his crack habit, though I’m not sure, and that’s probably not fair. I sit and see this man, quite convinced that he will still be here long after I’ve gone, still facing the reality of his situation in the most practical way he knows how. I wonder if either of us will get to see a game in the new stadium, imagining us drunk in the box seats at a Sox game, booing A. J. Pierzynski and high-fiving after a Joe Mauer homerun.

6SV3: 04/10: Homebound

There is a blog devoted to the six sentence story. It is, somehow or other, also a social networking site. I don't pretend to understand, but I do enjoy constraints like that. I submitted a six-sentence story earlier this year for a book-length collection of such stories, and was pleasantly surprised when my story was chosen for publication. Something about being printed in real-life, paper-and-ink, seems somehow more legitimate to me, despite the fact that eBooks seem all the rage right now and also the fact that I am currently writing in a very digital format. Still. It was exciting.

Homebound

That so much space and serenity could be packed into a second would have been impossible for anyone but Harold Berglund to see.  He had walked this route – church, pharmacy, grocery store, home – for some thirty years, and his feet knew well the angle and integrity of every sidewalk paver.  Today, though, in the wake of a January thaw turned freeze, Harold Berglund’s boots found a slick patch, sending him into the air.  His arthritic body was in flight, and he let his mind drift as well, to all the times he almost moved to warmer climes – Palm Springs, Tucson, he’d even thought at one time about Costa Rica.  But he’d stayed, ever the dutiful Midwesterner, for his wife, now gone, and their children, whom he never saw.  He saw it all as he flew through the smallest space in his neighborhood, speeding towards the ground he knew so well, where he would break his hip and go to sleep forever.


SALiT Magazine: 03/10: Eli

This was to be the first story published in actual print.  So said Duotrope.com when I was searching for a market for my story.  Alas, in a down economy, this turned out to be the first online-only issue of the now defunt SALiT Magazine (Savannah Arts and Literature magazine - the logo was a salt shaker).  One way or the other, it was the first stranger to decide that my work was worth publishing, which was an exciting honor. This story is about a bad day my friend Eli and I had on our bikes last fall.  He has since moved to Alaska, where I imagine he is hunting bears with nothing but his hands and his god-given intuition.  Could be he's working as a handyman or a carpenter, though.

Barracks. Last occupied during World War II

Eli

 

They tell you, the experts do, to never, under any circumstances, employ the second-person autobiographical, adding, for chrissakes, what do you think this is, junior college? But you’re too close, and you need its urgency, and they aren’t there to feel the heat and hear the sound of it or smell the native herbs stirred up by the wheels of the ambulance that autumn day.  They aren’t and you are and so that makes it your story to tell however you see fit.

You know that it’s the writer in you that recognizes the irony in the accident.  You both bomb a hill and then admit to tapping your brakes most of the way down, for fear of losing control of your bicycles.  Age, you say, has made you more anxious, and your friend agrees.  He has forgotten his helmet, and comments on it often, as an explanation for the care he takes at intersections.  “And if I’m supposed to be this bike role model in the neighborhood,” he says before the ride, “I should really wear a helmet.”  You talk about people riding carelessly, and without brakes, and about health care reform and painkillers.  But none of it seems ironic at the time, and you aren’t a reader; you don’t recognize the foreshadowing.

Neither of you is going very fast.  The hill you sped down was no match for the one you’d just climbed, and now you were tired, were on your way back.  This had been your friend’s idea, to wrap up early, and it had surprised you.  He must have been tired, couldn’t have been going very fast.

You’ve seen plenty of seizures in your days working as a personal care attendant to the developmentally disabled.  Those you’d expected, were on the alert for, knew the protocol.  This is something different, nearly unrecognizable.  It doesn’t seem real, and you feel stuck in a moment, stranded in time, lost between old and new and the cold sweep of the second hand.

Who puts speed bumps on a bike path, anyway?  Surely this move was aimed at protecting public safety, which explains the bright yellow paint, this paint that will replay again and again in your mind as you look down, lift your front wheel, and float over with ease.  You are in the lead, and here there are a few frames missing from the film canister of your memory, but there is a noise, a slamming of metal, and you look back to see more floating, slowly, slowly, your friend’s face into the pavement.  At this moment, everything becomes unbearably fast, and it is at this moment that you become trapped.

You drop your bike and “are you okay” and lips flapping into the ground like a horse or someone with the shivers.   He is shaking it off, he will get up, it was bad but he is okay, but he does not get up, it is not shaking off, and it is really, really bad.  He is twitching now, and you call 911, and others arrive, and your friend is lying there, bleeding, glasses stuck to his face, being examined by strangers.  You try to tell the dispatcher where you are, but you don’t know, or you only kind of know, and “does anybody know if we are near the chapel?” and what if you’d gone riding yesterday like originally planned or if you hadn’t suggested, at that T in the road, “let’s head over to Fort Snelling.”

More strangers now, and your friend is done convulsing, or maybe he’s not, it seems like it goes on a long time, but one of the strangers is good, she tells him not to move, so he must be done, now, and then you hear her tell another, “Sir, thank you, but right now the best thing you can do is go on and finish your ride.”  A man in full historical reenactment gear is dressed as some sort of soldier with a red blazer with brass buttons and a hat like a cotton swab.  He kneels beside you and your friend’s bleeding, barely conscious face and opens a small first-aid kit, never breaking character as he says, “would any of this be of any use to you?”

Your friend tries to get up, pushes himself to hands and knees, blood and spit dripping from his lips, says, “oh, fuck,” and you feel better, but you’re still worried.  This could be bad, really bad.  He manages a sitting position, answers questions from you and the good stranger. You can see his full face now, and one side is completely crimson.  It’s terrible.  There is a family not far away; they haven’t seen him yet because of the native grasses, and as they make their way, you shield his gruesome face with your body and hope they don’t notice.  It’s the kids you worry about more than anything.

You’re still on the phone with 911, he lies down on his back, which scares you, but you’re more scared to move him.  You get his age wrong, ask if he has a history of seizure disorder; he doesn’t.  You are describing his injuries and he points to his lip – which is fat and you’ll find out later he’s bitten through – as if to say, “hey, dipshit, what about THIS?”  But you know him better than that, and you feel bad for portraying him with that sort of malice, especially in his condition.  He’s kind if he’s anything, and you doubt that this has changed, though head injuries can be unpredictable.

You’ve really got to get this right.

The dispatcher says an ambulance is on the way, and you can hear its siren, but she says, “I want you to stay on the line so we can make sure they see you,” and you are standing just behind the tall weeds, waving your arm, trying to be as visible as possible, lighting flares with your mind, and they do see you, and you thank her, and finally you are off the phone, suddenly without purpose.

The paramedics are good, too, and they speak kindly to your friend, giving him a neck brace and a board, and eventually onto the rig.  You’re filling out an accident form with the park director, who offers to take your bikes to the visitor center and store them for you, which is great, because you’ve already gone digging for a lock and tried to figure out how and where to lock everything up before anybody even offered you a ride on the ambulance.

But they do, and it’s strange, nothing like in the movies.  They tell you to ride in the passenger seat, and you do, and you sit there for what feels like a very long time while they take your friend’s vitals and ask him a lot of questions about who the president is and what is his address and “North?  That’s a long way off.  Did you ride down here or drive and then ride?”  And you crane to hear his answers, because like them, you want to know what he knows, what he can do, how his brain is holding up.

When the ambulance does finally take off, you’re still in the front seat, not on a pleather bench in the back holding your friend’s hand and begging him to hang in there, please, just hang in there, buddy.  And the ambulance doesn’t leave in a hurry, but slowly pulls off, and it’s the driver’s off-handed comment about how the weeds smell so good that tips you off to their existence in the first place so that you can mention them in your opening paragraph.  Soon you’re driving the speed limit down the highway, him talking about all five times he himself had sustained head trauma, and how he’s a paramedic and doesn’t wear a helmet even though he knows he should, “but then I also know that lives would be saved if we wore helmets in the shower.”  A fair point, and now you’re relaxed.

It feels strange, though, ambling slowly towards the hospital, making jokes with the driver about the relationship between concussions and early onset dementia.  You say something about how maybe he should start labeling things now.  He laughs, you apologize, he retells a joke Ronald Reagan made about his own battle with Alzheimer’s – “its great!  Everyday I meet new people.”  You feel like an ass and wonder about your friend, if he can hear you, if he knows what an ass you are.  You’ve known him for years; he probably didn’t need today’s excitement in order to fully understand your character.

You used to watch E.R. pretty faithfully, so you think you know what it would be like to arrive at an emergency room in an ambulance.  You think that you will be in the way, so you stand to the side of the ambulance once it’s pulled into the garage and the paramedics are extracting your friend.  You feel a little useless and don’t know what to do with yourself, but then the paramedics, casual as ever, wave you over and tell you to follow them.  So you do, and it’s into the emergency room.

The emergency room is very subdued, which you figure must be nice if you are a patient, but you want your friend’s experience (which is also your experience, to a certain degree) to mean something somehow, so a little bit of hustle and shouting would be welcome.  Instead there is a clerk or receptionist of some kind directing them to a room.

“23 is open.”

“23?”

“Yeah, in the back.”

“But there was a loss of consciousness.”

“Well, you can go in seven, then, we’ll just move some people around.”

You realize that this is all the urgency you are going to get.  As you are realizing this, someone asks you, “are you family?” and you don’t have the presence of mind to lie, and so it is off to the waiting room for you to wait and wait and worry, stripped of all purpose.

Cellstories: 10.19.09: All Other Ground is Sinking Sand

This one I felt like maybe didn't count for a couple of reasons.  I have known Dan Sinker, the mastermind behind CellStories, for a handful of years now, since my days in Chicago (and his at Punk Planet), and he and I remain intermittent gChatters.  I don't think he would publish something if he didn't like it, but even so, he's a friend, and so to the insecure author who is being published for the first time, it feels somewhat akin to having your mom tell you she loves your writing (sorry, Dan, sorry, Mom).  The second reason that I felt this maybe didn't quite count as being published was the format: CellStories.net was among the first story-a-day sites available to people with cooler phones than mine.  A brilliant idea, a limited audience.  Many of my friends and co-workers to whom I was bragging were only able to view the site via a technical loophole that's since been fixed involving Internet Explorer and janky old computers. More than anything, though, I just kind of don't like this story very much.  I just came from a weekend in Chicago where I actually stayed in a Streeterville apartment, and upon doing some follow up Wiki research, discovered that many of the facts upon which this story is based may or may not be accurate.  Alas, I guess that's the way it goes, and really, it's fiction anyway.  This was originally going to be part of a novel that I ended up scrapping altogether as it was meandering on and on with no point, and largely relied on Elko, Nevada, as a place setting, a place I have never been, except maybe to pass through on the 'Hound.

All Other Ground is Sinking Sand

Streeterville map

With a history as a circus promoter, Captain George Wellington Streeter of the 35-ton Reutan steamboat felt an affinity for the ridiculous.  A sudden July thunderstorm precipitated his passengers’ decision to take the train back to Chicago, leaving Captain Streeter, his devoted Maria, and a handful of crewmembers (none of which had the luxury of choice) to press on through the gales and whitecaps, Milwaukee shrinking much too slowly in their wake.*  Having survived the Civil War and, later, evading an elephant attack, Streeter felt that he could also conquer the storm.  As tends to happen, however, disaster struck just as the Reutan was nearing home.  She ran aground on a sandbar not far from Chicago’s water tower.  It wasn’t until the following morning that Cap Streeter was able to take stock of his new environs; despite his wrecked vessel and disastrous landing, he felt more invigorated than he had since fighting the Rebs in Tennessee.

*Accounts differ with regard to the purpose of the Milwaukee trip.  While many refer to Streeter as a “steamboat operator and excursion guide”, at least one account calls the voyage to Milwaukee a dry run for a gun-running operation George and Maria hoped to spearhead in Honduras.  This is not completely ludicrous: according to a New York Times article from January 27, 1886, “A local newspaper publishes this morning the following article: ‘There has been a good deal of suppressed excitement among men in Chicago during the past few days over reports received from the agent of a syndicate of Americans searching for gold in Honduras.’”  Where there is gold, the logic went, there is likely to be guns as well.

In the age of Mark Twain, Streeter himself was a larger-than-life character.  His moustache was a dominant presence on his face, hanging nearly to his chin.  Yet where Twain appeared unkempt, rugged, a wild thing of nature, Streeter was more refined, a small man, surprised by all that he encountered – including, it seemed, his own existence.  So he appeared through the looking glass of N. Kellogg Fairbank, magnate of the N. K. Fairbank Co., who had been able to sell enough nickel cakes of Fairy Soap to reside at one of Chicago’s most exclusive addresses.

Upon waking, Mr. Fairbank had, as he did each morning, his breakfast – one  banana and a cup of coffee – brought to him in his bedroom.  He stepped into the bathroom, splashed his face with cold water (no soap), and returned to take his meal at a small table by the window.  His wife snored quietly in the bed.  Reaching for his coffee he noticed something resembling a boat about four hundred feet out from shore.  From Fairbank’s vantage point, it appeared as though the boat were a model, constructed, rather carelessly, by a child.  With the aid of his looking glass, however, he was able to confirm that the vessel was full sized, even if its captain – beaming, breathing in the morning lake air in full pajamas and nightcap – was not.

“Myrna.”

“Yes sir,”  Myrna was a slight Irish girl, barely twenty years old, whom the Fairbanks kept in their employ for all of their domestic needs.  “Is there something else you’d like?”

Fairbank’s gaze remained fixed upon the water.  He had done so much in life, but he’d always dreamed of a life behind the captain’s wheel.  Like so many powerful men, his successes were merely a metaphor for that which had escaped him.  “Myrna, I’d like you to send a boy out along the sandbar to that man, to ask him if there’s anything he needs and to give him permission to remain until his boat is repaired.”

This rare moment of generosity from the tycoon owed a lot to the fact that his wife wasn’t awake to talk him out of it.  It was also predicated upon the belief that the captain would, in time, see fit to fix his vessel and sail away.  What Fairbank could never have predicted, however, is that a character so unscrupulous as to have promoted the circus and plotted some sort of Central American arms-trading adventure will have little qualms about altering a municipal sign in the dead of night:

No Dumping

CITY OF CHICAGO,

with a little bit of paint, a little bit of moxie, becomes:

Dumping $5

See Boat Captain.

And so Captain George Wellington Streeter was able to amass a small fortune while also creating for himself—by way of construction debris and captured sand—186 acres of prime Chicago real estate.  For Streeter the Great Chicago Fire of 1871 was truly great, as it produced a construction boom the likes of which the city had never seen, and he was more than happy to build his empire upon its offal.

This was not the way that the Fairbank fortune had been made, and so the notion that Streeter was able to combine brazen outlawry with dumb luck was enough to turn the soap peddler’s world on its ear.  Weeks went by, during which N. Kellogg Fairbank continued to take his breakfast at that small table by the window, his gaze still fixed on that spot upon the water, a spot which continued to grow in size as time elapsed.  “Something must be done,” he would hiss, the venom in his words drowned out by his wife’s snoring, the finish of the chair’s arm wearing away under the firm grasp of his white-knuckled hands.  “Something must be done,” as he recalled a conversation with an acquaintance from the Tribune at the club: They say this fellow down on the lake set up shop over at the Tremont Hotel.  Say he’s selling plots of ‘land’ – if you want to call it that – to anyone who’ll pay.  Calls it the District of Lake Michigan, and says that the “deestrick” is only under the jurisdiction of the Federal government.  Seems to me someone ought to do something. “Something must be done,” until he got tired of hearing (or not hearing over the snoring) himself say it, and one day rose from his breakfast, took his shotgun in hand, and walked to the shore.

By this time, the Streeter clan was no longer housed in the Reutan, but in another boat that had serendipitously run aground at Streeter’s shantytown.  Upon examining the abandoned vessel and seeing its Castle moniker festooned upon its rather ample hull, Streeter gathered up his people and property and moved them from one shipwreck to the other.  It was to this latest shipwreck that Fairbank set out.

As Fairbank had never been to war, had never lived among circus performers, and had never lived outside the gentry, it can also be said that he had never before approached another man, shotgun in hand, evil in his heart.  Streeter, on the other hand, had learned at a very young age of the cruelty of the world, and of the need to guard his belongings with his life.  In this latest chapter of life, this meant giving parcels of land to members of his crew in exchange for armed sentry work.  Fairbank didn’t have a chance.  Young Peter Zabrocki saw him huffing along his east lawn towards the encampment and opened fire, alerting the other guards to do the same.  It wasn’t long before Fairbank was scampering away, returning to the safety of his home to draft a desperate, angry letter to his lawyer.

While Fairbank’s lawyer was doing what he could to win court cases for his wealthy client (illegal squatting, selling liquor without a license, etc.), old N. K. decided that he needed some Civil War muscle on his side.  To this end he enlisted the help of Allan Pinkerton’s private security firm, the Pinkerton’s National Detective Agency.  If the Pinkertons could foil a plot to assassinate President Lincoln, certainly they could run Streeter off of his homemade marsh.

In the end, it wasn’t the Pinkertons, or Fairbank, but rather the Chicago Police Department, some twenty-eight years later, who finally ran Streeter from his empire, which as this point he was calling “the Oasis.”  And just as with later arrests of high profile Chicago criminals, the charge for which Streeter was ultimately brought in was not the one that made him a target: he was charged with violating the law against selling liquor on Sundays.  Despite a number of outgoing shots coming from within the Oasis, this time around, no one was injured.  According to the Times (November 15, 1915), “On Oct. 12 last Mrs. Streeter shot and wounded a policeman who had arrested her husband on a charge of selling beer without a license.”  And even in these late years, Streeter had succeeded in enlisting his tenants in the Oasis’ defense with varying degrees of success: “Harry de Carmaker, 17, who lives with Streeter, was found shivering on a cake of ice in a refrigerator guarding the supply of beer with a rifle.  He surrendered without firing a shot.”